Lossless streaming service Deezer HiFi has recently officially launched in Japan. Deezer HiFi owns a huge music library with millions of CD-quality works that can give listeners the best moments of music enjoyment. At the present time, Deezer HiFi will provide about 36 million works in Lossless catalog and select Japanese market as the first step to attack the Asian market.
The Deezer HiFi will have a subscription price of around JPY 1,960 per month and provides the stream format of FLAC 44.1 kHz / 16 bit (1411 kbps). Users can stream lossless from devices of Onkyo, Pioneer, Yamaha … and support both Windows and Mac with web-player. Deezer also has apps for iOS and Android but only supports lossy (128/320 kbps). Compared to MP3 or AAC (up to 320 kbps), the Deezer HiFi will provide much better audio quality thanks to the stream format up to 44.1 kHz / 16 bits (1411 kbps). The details of the song when listening through the Deezer HiFi are still perfectly retained even though it is just a stream form rather than playing music directly enough to see how good the music that Deezer offers. Users are however recommended to play music over a WiFi connection to save costs rather than mobile data connection.
As mentioned above, the Deezer HiFi owns a music library with about 36 million songs spread across all genres, but it still lacks some small artists or no registration with Deezer. In return, most of the famous and well-known works are fully present and users can easily search and listen to them. For example, if you search for Japanese music, only name artists like Utada Hikaru have full albums, but still quite limited.
Deezer HiFi will provide Deezer Desktop app for Windows and Mac computer users. In general, this software is quite similar to other streaming apps when it comes to basic features such as searching, playing music, customizing the quality of music and displaying full information about the work you are listening to. Users can easily find prominent names like Billy Holiday, Ella Fitzgerald, Diana Krall, Norah Jones, Madeline or Peru recommended in the search menu if you’ve heard jazz before (because of Deezer’s recommended algorithm). Also based on what you’ve heard.
The app not only displays the lyrics (if any) but also provides an additional feature to automatically search the lyrics (most are based on LyricFind’s data source). Deezer HiFi however only supports displaying lyrics in Alphabet and does not support figurative languages such as Chinese, Japanese or Korean.
A few years ago, Spotify UK became urging labels to undertake an ‘on air, on stream’ policy with new tracks – which means that as quickly as they had been played at the radio, they need to be to be had on streaming services too. In 2019, the notion that this changed into ever even a debate may additionally seem bizarre, however it became: radio had traditionally were given new tracks weeks earlier than they went on sale, and for a while, streaming was lumped in with the latter category. Just every other signal of how fast the enterprise has modified in recent years. Why is track ally remembering the ones days? Due to the fact we’ve been studying a recent take a look at posted with the aid of records-visualisation corporation The Data Face. The corporation analysed years of records on every tune that broke into the top 50 on Spotify or on radio-airplay charts within the US, so that you can discern out if claims that streaming offerings have been breaking new tracks faster than radio had been true.
“Radio is indeed lagging at the back of Spotify in its capacity to quick news, famous songs. In common, it takes about two weeks from the time a music is released for it to attain the Spotify top 10. Meanwhile, it takes almost 3 months for a hit music to reach the pinnacle 10 on radio,” counseled the have a look at. “as soon as on the pinnacle radio chart, however, a song commonly has serious staying energy. The average top 10 radio hit stays on the Billboard chart for 26 weeks, 13 weeks longer than on Spotify. Even 9 months after release, a large song can nonetheless have consistent spins at the radio.” There’s some accurate information on individual tracks, including a few which are outliers to the trends above. There’s additionally analysis of manner Spotify’s top 50 skews extra towards hip-hop, and radio’s barely in the direction of pop and heavily closer to United States – admittedly none of this could be a surprise, but the breakdown is thrilling, as are a number of the lessons. “Almost half of of the hip-hop acts that cracked Spotify’s pinnacle 50 — greater than 40 in total — did so with none in their songs achieving Billboard radio’s top 50,” for instance. The examine’s authors are careful to swerve any ‘radio is doomed’ conclusions from all this: “Mainstream radio is gambling a exceptional position inside the song landscape than it used to,” is as some distance as it goes, noting its continued significance the various broader American public, in addition to particular demographics like united states lovers. However the examine is a beneficial contribution to the music enterprise’s know-how of ways the life-cycles of hits are evolving, and the way extraordinary platforms and media interaction.